Ghanaian gospel musician Bernard Amankwah has a clear message for his colleagues in the gospel music industry, especially new entrants: the fraternity should not be regarded as the road to financial gain, instead, see it as a means to glorify God.
This is because, he has noticed a growing trend of artistes approaching gospel music with financial motives, which he strongly believes can dilute the integrity of the space.
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In a recent chat with the Daily Graphic, he expressed concern about the commercialisation of gospel music which was steering artistes away from the true essence of worship and devotion and encouraged fellow musicians to focus on the impact their music can have on their listeners’ souls rather than on their(gospel acts) bank accounts.
While he admitted money was necessary for music production and ministry outreach, it should not overshadow the central purpose of gospel music. He argued that financial rewards should be secondary to the higher calling of preaching the Word and spreading faith and hope.
“In our space, those who approach gospel music with commercial ambitions may find themselves at odds with the essence of their calling. Our priority should be on how our music edifies and inspires the listener, not on how much money it generates. If any gospel musician steps into this space with the sole intention of making money, they have missed the purpose and should reconsider their motives”, he said.
Support for new acts: Moving away from wealth creation, Bernard Amankwah expressed a firm belief that the Ghanaian gospel industry has a promising future and can achieve lasting growth if experienced artistes actively mentor the new crop of artistes.
According to him, when seasoned gospel musicians mentor up-and-coming acts under their wing, they impart essential skills, values and insights that are crucial for maintaining the integrity and purpose of the industry.
He explained that without this guidance, new entrants risk losing their way, as they may lack a deep understanding of the standards required to uphold the genre’s unique message.
“If the younger generation is left to navigate the industry alone, they might pursue paths that lead away from the true essence of gospel music, focusing instead on what personally appeals to them rather than what aligns with the genre’s mission.
“When we provide mentorship for budding gospel artistes, we can ensure that the industry not only survives but also thrives with a legacy that stays true to its core principles and remains impactful for future audiences,” he stated. Upcoming projects
Meanwhile, Bernard Amankwah is brewing something special for his fans. He’s currently in the studio, working on a new collection of songs slated for release early next year. (More articles on Bernard Amankwah: Musicians are losing sponsorships because of internal wrangling —Bernard Amankwah, Credit composers of songs you steal-Bernard Amankwah to colleagues)